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Chartres Cathedral, also known as the Cathedral of Our Lady of Chartres (French: Cathédrale Notre-Dame de Chartres), is a Roman Catholic church in Chartres, France, about 80 km (50 miles) southwest of Paris and is the seat of the Diocese of scarpelebronsoldier12agimat.me constructed between and , it stands at the site of at least five cathedrals that have occupied the site since Chartres became a Affiliation: Roman Catholic Church. En continuant à naviguer sur ce site, vous acceptez le fait qu'il utilise des cookies et les termes spécifiés dans nos règles de confidentialité.Découvrez les lieux de rencontre gay à Chartres 🌈 Votre guide complet des bars et clubs gay, des saunas, bars de cruising, sex-clubs et lieux de drague de Chartres. Des annonces de sexe gratuites pour trouver un plan gay rapide à chartres. En fait, des mecs chauds et motivés sont ici pour faire des rencontres gays discrètes, rejoins-nous! scarpelebronsoldier12agimat.me "Un site réservé pour les petites annonces gay et les plans sexe sans tabou" Accueil;.

Chartres, et j'ai 18 ans, le site de référence du chat gay et lesbien et de la rencontre gay et lesbienne en France. Informations légales iOS Android Contact. Chartres, très hot, vous acceptez l'utilisation des cookies. Rencontre Gay sur Chartres master geopolitique. Suis très sportif, Eure-et-Loir je pense être quelqu'un de discret. Chartres Cathedral, also known as the Cathedral of Our Lady of Chartres (French: Cathédrale Notre-Dame de Chartres), is a Roman Catholic church in Chartres, France, about 80 km (50 miles) southwest of Paris and is the seat of the Diocese of scarpelebronsoldier12agimat.me constructed between and , it stands at the site of at least five cathedrals that have occupied the site since Chartres became a Affiliation: Roman Catholic Church. Chartres's best % FREE gay dating site. Want to meet single gay men in Chartres, Centre? Mingle2's gay Chartres personals are the free and easy way to find other Chartres gay singles looking for dates, boyfriends, sex, or friends.

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Central doorway of the South Portal, with column statue of Christ. His feet rest on a lion and a dragon. The south portal, which was added later than the others, in the 13th century, is devoted to events after the Crucifixion of Christ, and particularly to the Christian martyrs.

The decoration of the central bay concentrates on the Last Judgement and the Apostles, the left bay on the lives of martyrs; and the right bay is devoted to confessor saints. This arrangement is repeated in the stained glass windows of the apse. The arches and columns of the porch are lavishly decorated with sculpture representing the labours of the months, the signs of the zodiac, statues representing the virtues and vices.

On top of the porch, between the gables, are pinnacles in the arcades with statues of sculptures of eighteen Kings, beginning with King David , representing the lineage of Christ, and linking the Old Testament and the new. Gargoyle on the North Tower, serving as a rain spout. Detail of the South Tower, with statuary of Chimeras.

While most of the sculpture of the cathedral portrayed Saints, Apostles and other Biblical figures, such as the angel holding a sundial on the south facade, other sculpture at Chartres was designed to warn the faithful. These works include statues of assorted monsters and demons. Some of these figures, such as gargoyles , also had a practical function; these served as rain spouts to project water far away from the walls. Others, like the chimera and the strix , were designed to show the consequences of disregarding Bibical teachings.

A fragment of reputed veil of Virgin Mary , displayed in the Chapel of the Martyrs. The nave, or main space for the congregation, was designed especially to receive pilgrims, who would often sleep in the church. The floor is slightly tilted so that it could be washed out with water each morning. The rooms on either side of Royal Portal still have traces of construction of the earlier Romanesque building.

The nave itself was built after the fire, beginning in The floor of the nave also has a labyrinth in the pavement see Labyrinth section below. The two rows of alternating octagonal and round pillars on either side of the nave receive part of the weight of the roof through the thin stone ribs descending from the vaults above. The rest of the weight is distributed by the vaults outwards to the walls, supported by flying buttresses.

The statue of Mary and the infant Christ, called Our Lady of the Pillar, replaces a 16th-century statue which was burned by the Revolutionaries in One of the most distinctive features of Chartres Cathedral is the stained glass, both for its quantity and quality. There are windows, including rose windows, round oculi, and tall, pointed lancet windows. The architecture of the cathedral, with its innovative combination of rib vaults and flying buttresses, permitted the construction of much higher and thinner walls, particularly at the top clerestory level, allowing more and larger windows.

Also, Chartres contains fewer plain or grisaille windows than later cathedrals, and more windows with densely stained glass panels, making the interior of Chartres darker and but the colour of the light is deeper and richer.

Lancet windows under the of the west rose window; the Jesse Window or genealogy of Christ right ; Life of Christ center , and the Passion of Christ left. These are the oldest windows in the cathedral. The right window, the Jesse Window, depicts the genealogy of Christ. The middle window depicts the life of Christ, and the right window depicts the Passion of Christ, from the Transfiguration and Last Supper to the Resurrection.

It is found in the first bay of the choir after the south transept. Most windows are made up of around 25 to 30 individual panels showing distinct episodes within the narrative; only Notre-Dame de la Belle-Verrière includes a larger image made up of multiple panels.

This window is actually a composite; the upper part, showing the Virgin and Child surrounded by adoring angels, dates from around and was probably positioned at the centre of the apse in the earlier building. The Virgin is depicted wearing a blue robe and sitting in a frontal pose on a throne, with the Christ Child seated on her lap raising his hand in blessing. This composition, known as the Sedes sapientiae "Throne of Wisdom" , which also appears on the Portail royal , is based on the famous cult figure kept in the crypt.

The lower part of the window, showing scenes from the infancy of Christ, dates from the main glazing campaign around The west rose window c. North transept rose window, c. South transept rose window, c. The cathedral has three large rose windows.

The western rose c. A central oculus showing Christ as the Judge is surrounded by an inner ring of 12 paired roundels containing angels and the Elders of the Apocalypse and an outer ring of 12 roundels showing the dead emerging from their tombs and the angels blowing trumpets to summon them to judgment. The north transept rose Beyond this is a ring of 12 diamond-shaped openings containing the Old Testament Kings of Judah , another ring of smaller lozenges containing the arms of France and Castille , and finally a ring of semicircles containing Old Testament Prophets holding scrolls.

The presence of the arms of the French king yellow fleurs-de-lis on a blue background and of his mother, Blanche of Castile yellow castles on a red background are taken as a sign of royal patronage for this window. Beneath the rose itself are five tall lancet windows 7. Flanking this lancet are four more containing Old Testament figures. Each of these standing figures is shown symbolically triumphing over an enemy depicted in the base of the lancet beneath them — David over Saul, Aaron over Pharaoh, St Anne over Synagoga , etc.

The south transept rose Two outer rings of twelve circles each contain the 24 Elders of the Apocalypse , crowned and carrying phials and musical instruments. The central lancet beneath the rose shows the Virgin carrying the infant Christ.

Either side of this are four lancets showing the four evangelists sitting on the shoulders of four Prophets — a rare literal illustration of the theological principle that the New Testament builds upon the Old Testament. This window was a donation of the Mauclerc family, the Counts of Dreux-Bretagne , who are depicted with their arms in the bases of the lancets. Shoemakers at work in the Good Samaritan window Each bay of the aisles and the choir ambulatory contains one large lancet window, most of them roughly 8.

One of the most famous examples is the Good Samaritan parable. Several of the windows at Chartres include images of local tradesmen or labourers in the lowest two or three panels, often with details of their equipment and working methods. Traditionally it was claimed that these images represented the guilds of the donors who paid for the windows. In recent years however this view has largely been discounted, not least because each window would have cost around as much as a large mansion house to make — while most of the labourers depicted would have been subsistence workers with little or no disposable income.

Furthermore, although they became powerful and wealthy organisations in the later medieval period, none of these trade guilds had actually been founded when the glass was being made in the early 13th century. Because of their greater distance from the viewer, the windows in the clerestory generally adopt simpler, bolder designs.

Most feature the standing figure of a saint or Apostle in the upper two-thirds, often with one or two simplified narrative scenes in the lower part, either to help identify the figure or else to remind the viewer of some key event in their life. Whereas the lower windows in the nave arcades and the ambulatory consist of one simple lancet per bay, the clerestory windows are each made up of a pair of lancets with a plate-traceried rose window above.

The nave and transept clerestory windows mainly depict saints and Old Testament prophets. Those in the choir depict the kings of France and Castile and members of the local nobility in the straight bays, while the windows in the apse hemicycle show those Old Testament prophets who foresaw the virgin birth, flanking scenes of the Annunciation , Visitation and Nativity in the axial window.

On the whole, Chartres' windows have been remarkably fortunate. The medieval glass largely escaped harm during the Huguenot iconoclasm and the religious wars of the 16th century although the west rose sustained damage from artillery fire in The relative darkness of the interior seems to have been a problem for some. A few windows were replaced with much lighter grisaille glass in the 14th century to improve illumination, particularly on the north side [38] and several more were replaced with clear glass in as part of the reforms to liturgical practice that also led to the removal of the jubé.

The installation of the Vendôme Chapel between two buttresses of the nave in the early 15th century resulted in the loss of one more lancet window, though it did allow for the insertion of a fine late-gothic window with donor portraits of Louis de Bourbon and his family witnessing the Coronation of the Virgin with assorted saints.

Although estimates vary depending on how one counts compound or grouped windows approximately of the original stained glass windows survive — far more than any other medieval cathedral anywhere in the world. Like most medieval buildings, the windows at Chartres suffered badly from the corrosive effects of atmospheric acids during the Industrial Revolution and thereafter.

The majority of windows were cleaned and restored by the famous local workshop Atelier Lorin at the end of the 19th century but they continued to deteriorate. During World War II most of the stained glass was removed from the cathedral and stored in the surrounding countryside to protect it from damage. At the close of the war the windows were taken out of storage and reinstalled. Since then an ongoing programme of conservation has been underway and isothermal secondary glazing was gradually installed on the exterior to protect the windows from further damage.

The small Saint Lubin Crypt , under the choir of the Cathedral, was constructed in the 9th century and is the oldest part of the building. It is surrounded by a much larger crypt, the Saint Fulbert Crypt, which completed in , five years after the fire that destroyed most of the older cathedral.

Peter's Basilica in Rome and Canterbury Cathedral , it is the largest crypt in Europe and serves as the foundation of the Cathedral above. The corridors and chapels of the crypt are covered with Romanesque barrel vaults , groin vaults where two barrel vaults meet at right angles, and a few more modern Gothic rib-vaults.

One notable feature of the crypt is the Well of the Saints-Forts. The well is thirty-three metres deep and is probably of Celtic origin. According to legend, Quirinus, the Roman magistrate of the Gallo-Roman town, had the early Christian martyrs thrown down the well. A statue of one of the martyrs, Modeste, is featured among the sculpture on the North Portico. Another notable feature is the Our Lady of the Crypt Chapel. The silk veil was divided into pieces during the French Revolution. The largest piece is shown in one of the ambulatory chapels above.

The altar of the chapel is carved from a single block of limestone from the Berchères quarry, the source of most of the stone of the cathedral.

The fresco on the wall dates from about and depicts the Virgin Mary on her throne. The Three Kings are to her left, and the Apostles Savinien and Potentien to her right The chapel also has a modern stained glass window, the Mary, Door to Heaven Window , made by Henri Guérin, made by cementing together thick slabs of stained glass.

The altar 18th century by Charles-Antoine Bridan. The high ornamental stone screen that separates the choir from the ambulatory was put in place between the 16th and 18th century, to adapt the church to a change in protocol. It was built out in the late flamboyant Gothic and then the Renaissance style.

The screen has forty niches along the ambulatory filled with statues by prominent sculptors telling the life of Christ. The last statues were put in place in The Labyrinth is a famous feature of the cathedral, located on the floor in the centre of the nave.

Labyrinths were found in almost all Gothic Cathedrals, though most were later removed since they distracted from the religious services in the nave. They symbolized the long winding path towards salvation. Unlike mazes, there was only a single path that could be followed. On certain days the chairs of the nave are removed so that visiting pilgrims can follow the labyrinth. Copies of the Chartres labyrinth are found at other churches and cathedrals, including Grace Cathedral, San Francisco.

The Chapel of Saint Piatus of Tournai was a later addition to the Cathedral, built in , close to the apse at the east end of the Cathedral. It contained a collection of reputed relics from the Saint, who was bishop of Tournai in modern-day Belgium in the third century, as was martyred by the Romans, who cut off the top of his skull.

He is depicted in stained glass and culture holding the fragment of his skull in his hands. The chapel has a flat chevet , and two circular towers. Inside are four bays, in a very harmonious style, since it was built all at the same time. It also contains a notable collection of 14th century stained glass. The lower floor was used as a chapter house , or meeting place for official functions, and the top floor was connected to the Cathedral by an open stairway.

The Sacristy , across from the north portal of the Cathedral, was built in the second half of the 13th century. The Bishop's Palace, also to the north, is built of brick and stone, and dates to the 17th century. A gateway from the period of Louis XV leads to the Palace and also gives access to the terraced gardens, which offer of good view of the Cathedral, particularly the chevet of the Cathedral at the east end, with its radiating chapels buit over the earlier Romanesque vaults.

The lower garden also has a picturesque labyrinth of hedges. Work was begun on the Royal Portal with the south lintel around and with all its sculpture installed up to Opinions are uncertain as the sizes and styles of the figures vary and some elements, such as the lintel over the right-hand portal, have clearly been cut down to fit the available spaces.

The sculpture was originally designed for these portals, but the layouts were changed by successive masters, see careful lithic analysis by John James. Some of the masters have been identified by John James, and drafts of these studies have been published on the web site of the International Centre of Medieval Art, New York.

Opinions are uncertain as to the sizes and styles of the figures in the portals, and some elements, such as the lintel over the right-hand portal, have clearly been cut down to fit the available spaces.

On 10 June , another fire caused extensive damage to Fulbert's cathedral. The true extent of the damage is unknown, though the fact that the lead cames holding the west windows together survived the conflagration intact suggests contemporary accounts of the terrible devastation may have been exaggerated.

Either way, the opportunity was taken to begin a complete rebuilding of the choir and nave in the latest style. The undamaged western towers and façade were incorporated into the new works, as was the earlier crypt, effectively limiting the designers of the new building to the same general plan as its predecessor.

In fact, the present building is only marginally longer than Fulbert's cathedral. One of the features of Chartres cathedral is the speed with which it was built — a factor which helped contribute to the consistency of its design. Even though there were innumerable changes to the details, the plan remains consistent. The major change occurred six years after work began when the seven deep chapels around the choir opening off a single ambulatory were turned into shallow recesses opening off a double-aisled ambulatory.

Australian architectural historian John James, who made a detailed study of the cathedral, has estimated that there were about men working on the site at any one time, although it has to be acknowledged that current knowledge of working practices at this time is somewhat limited. Normally medieval churches were built from east to west so that the choir could be completed first and put into use with a temporary wall sealing off the west end while the crossing and nave were completed.

Canon Delaporte argued that building work started at the crossing and proceeded outwards from there, [54] but the evidence in the stonework itself is unequivocal, especially within the level of the triforium: The builders were not working on a clean site; they would have had to clear back the rubble and surviving parts of the old church as they built the new.

Work nevertheless progressed rapidly: The high vaults over the choir were not built until the last years of the s, as was rediscovered in the first decade of the 21st century. Restoration i ; The cleaned and painted nave contrasts with the gallery, darkened with age and soot. From until , the exterior of the cathedral underwent an extensive cleaning, that also included many of the interior walls and the sculpture. The statement of purpose declared, "the restoration aims not only to clean and maintains the structure but also to offer an insight into what the cathedral would have looked like in the 13th century.

The celebrated Black Madonna statue was cleaned, and her face was found to be white under the soot.

The project went further; the walls in the nave were painted white and shades of yellow and beige, to recreate an idea of the earlier medieval decoration. However, the restoration also brought sharp criticism. The architectural critic of the New York Times , Martin Filler, called it "a scandalous desecration of a cultural holy place. At the beginning of the 11th century, Bishop Fulbert besides rebuilding the Cathedral, established Chartres as a Cathedral school , an important center of religious scholarship and theology.

These men were at the forefront of the intense intellectual rethinking that culminated in what is now known as the twelfth-century renaissance , pioneering the Scholastic philosophy that came to dominate medieval thinking throughout Europe.

By the midth century, the role of Chartres had waned, as it was replaced by the University of Paris as the leading school of theology. The primary activity of Chartres became pilgrimages. In the Middle Ages , the cathedral functioned as a kind of marketplace, with different commercial activities centred on the different portals, particularly during the regular fairs.

Textiles were sold around the north transept, while meat, vegetable and fuel sellers congregated around the south porch. Money-changers an essential service at a time when each town or region had its own currency had their benches, or banques , near the west portals and also in the nave itself.

The ordinance assigned to the wine-sellers part of the crypt, where they could avoid the count's taxes without disturbing worshippers. Workers of various professions gathered in particular locations around the cathedral awaiting offers of work.

Although the town of Chartres was under the judicial and tax authority of the Counts of Blois , the area immediately surrounding the cathedral, known as the cloître , was in effect a free-trade zone governed by the church authorities, who were entitled to the taxes from all commercial activity taking place there. In , after a series of bloody riots instigated by the count's officials, the chapter finally gained permission from the King to seal off the area of the cloître and lock the gates each night.

Even before the Gothic cathedral was built, Chartres was a place of pilgrimage, albeit on a much smaller scale. During the Merovingian and early Carolingian eras, the main focus of devotion for pilgrims was a well now located in the north side of Fulbert's crypt , known as the Puits des Saints-Forts , or the 'Well of the Strong Saints', into which it was believed the bodies of various local Early-Christian martyrs including saints Piat, Cheron, Modesta and Potentianus had been tossed.

Chartres became a site for the veneration of the Blessed Virgin Mary. In the cathedral acquired the Sancta Camisa , believed to be the tunic worn by Mary at the time of Christ's birth. According to legend, the relic was given to the cathedral by Charlemagne who received it as a gift from Emperor Constantine VI during a crusade to Jerusalem.

However, as Charlemagne's crusade is fiction, the legend lacks historical merit and was probably invented in the 11th century to authenticate relics at the Abbey of St Denis.

However, it was found three days later, protected by priests, who fled behind iron trapdoors when the fire broke out. Some research suggests that depictions in the cathedral, e. Mary's infertile parents Joachim and Anne , harken back to the pre-Christian cult of a fertility goddess, and women would come to the well at this location in order to pray for their children and that some refer to that past.

By the end of the 12th century, the church had become one of the most important popular pilgrimage destinations in Europe. There were four great fairs which coincided with the main feast days of the Virgin Mary: The fairs were held in the area administered by the cathedral and were attended by many of the pilgrims in town to see the cloak of the Virgin. When ergotism more popularly known in the Middle Ages as "St. Anthony's fire" afflicted many victims, the crypt of the original church became a hospital to care for the sick.

Today Chartres continues to attract large numbers of pilgrims, many of whom come to walk slowly around the labyrinth, their heads bowed in prayer — a devotional practice that the cathedral authorities accommodate by removing the chairs from the nave on Fridays from Lent to All Saints' Day except for Good Friday.

Orson Welles famously used Chartres as a visual backdrop and inspiration for a montage sequence in his film F For Fake. Feeling that the beauty of Chartres and its unknown artisans and architects epitomized this sentiment, Welles, standing outside the cathedral and looking at it, eulogizes:. Now this has been standing here for centuries. Naked, poor, forked radish.

Ours, the scientists keep telling us, is a universe, which is disposable. You know it might be just this one anonymous glory of all things, this rich stone forest, this epic chant, this gaiety, this grand choiring shout of affirmation, which we choose when all our cities are dust, to stand intact, to mark where we have been, to testify to what we had it in us, to accomplish.

Our works in stone, in paint, in print are spared, some of them for a few decades, or a millennium or two, but everything must finally fall in war or wear away into the ultimate and universal ash.

The triumphs and the frauds, the treasures and the fakes. A fact of life. Our songs will all be silenced — but what of it? Joseph Campbell references his spiritual experience in The Power of Myth:. I'm back in the Middle Ages. I'm back in the world that I was brought up in as a child, the Roman Catholic spiritual-image world, and it is magnificent That cathedral talks to me about the spiritual information of the world. It's a place for meditation, just walking around, just sitting, just looking at those beautiful things.

Joris-Karl Huysmans includes detailed interpretation of the symbolism underlying the art of Chartres Cathedral in his semi-autobiographical novel La cathédrale. Chartres was the primary basis for the fictional Cathedral in David Macaulay 's Cathedral: The Story of Its Construction and the animated special based on this book. Chartres was a major character in the religious thriller Gospel Truths by J.

The book used the Cathedral's architecture and history as clues in the search for a lost Gospel. The cathedral is featured in the television travel series The Naked Pilgrim ; presenter Brian Sewell explores the cathedral and discusses its famous relic — the nativity cloak said to have been worn by the Virgin Mary.

Popular action-adventure video game Assassin's Creed features a climbable cathedral modelled heavily on the Chartres Cathedral. One of the attractions at the Chartres Cathedral is the Chartres Light Celebration, when not only is the cathedral lit, but so are many buildings throughout the town, as a celebration of electrification.

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Chartres, et j'ai 18 ans, le site de référence du chat gay et lesbien et de la rencontre gay et lesbienne en France. Informations légales iOS Android Contact. Chartres, très hot, vous acceptez l'utilisation des cookies. Rencontre Gay sur Chartres master geopolitique. Suis très sportif, Eure-et-Loir je pense être quelqu'un de discret. Site gay gratuit: Rencontre entre mecs Chartres, petites annonces gay gratuites Chartres, rencontre gay Chartres, rencontre homo Chartres. Sexe gay Chartres. Plancul. Minet gay. Annonce gay. Chartres Cathedral, also known as the Cathedral of Our Lady of Chartres (French: Cathédrale Notre-Dame de Chartres), is a Roman Catholic church in Chartres, France, about 80 km (50 miles) southwest of Paris and is the seat of the Diocese of scarpelebronsoldier12agimat.me constructed between and , it stands at the site of at least five cathedrals that have occupied the site since Chartres became a Affiliation: Roman Catholic Church.

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Chartres Cathedral, also known as the Cathedral of Our Lady of Chartres (French: Cathédrale Notre-Dame de Chartres), is a Roman Catholic church in Chartres, France, about 80 km (50 miles) southwest of Paris and is the seat of the Diocese of scarpelebronsoldier12agimat.me constructed between and , it stands at the site of at least five cathedrals that have occupied the site since Chartres became a Affiliation: Roman Catholic Church. Des annonces de sexe gratuites pour trouver un plan gay rapide à chartres. En fait, des mecs chauds et motivés sont ici pour faire des rencontres gays discrètes, rejoins-nous! scarpelebronsoldier12agimat.me "Un site réservé pour les petites annonces gay et les plans sexe sans tabou" Accueil;. Chartres, et j'ai 18 ans, le site de référence du chat gay et lesbien et de la rencontre gay et lesbienne en France. Informations légales iOS Android Contact. Chartres, très hot, vous acceptez l'utilisation des cookies. Rencontre Gay sur Chartres master geopolitique. Suis très sportif, Eure-et-Loir je pense être quelqu'un de discret.

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